This selection from The Four Musketeers is a favorite one of mine and many of my compatriots in the stage combat profession. The main reason for this is twofold: 1) you can see it’s mainly the actors doing the choreography, not stunt doubles, and 2) it’s one of the more realistic sword fight scenes you can find in cinema.
Normally when you’re talking swordfighting, particularly The Three Musketeers, you think Expressionistic / Swashbuckling, right? Sure you do–we all do. This isn’t that. It’s arguably Expressionistic because of the length of the fight, but I’d actually call it Realistic / Dramatic instead. Can you see why I do?
(For a detailed rundown on my two-tiered classification system of stage combat, here.)
(Also: it’s period-realistic more than most, as it’s actually rapier-and-dagger, not just rapier, not random-pirate-y-sword-we-thought-looked-old-timey…)