beginnings

Ringing in the New Year

Sheesh, lovely lurkers. I need to take a moment and list my stuff coming up in the new year. I just wrote about New Year’s resolutions under my own name on my other, memoir-y blog, and it made me need to come here and share with you all the amazing shit that’s on deck, in the hole, and whatever other baseball or double-entendres you like.

Buckle up.

School: Regis’ next 8-week session starts mid-month. Those are all one-on-one grad students in all kinds of subjects, you’ll recall. So far, I’ve got a student who’ll be learning about Editing Non-Fiction.

Metro starts soon after. I’ve got an online section of Theatre History and Crit II, which should be great once I revamp and update it. I also have a Stage Movement class assigned to me, but as there’s only 8 students enrolled so far, that might not actually go. Good news is, the department chair is going to go into battle w the dean on my (well, its) behalf, and it is a required course, so I am allowing myself a modicum of hope.

It would not be a good thing for that one to be canceled, for more than one reason, not the least of which is: this is my specialty and I’d like to have something to show non-academics in that area. Also that I don’t know what’s up with DU; if they’re planning on ghosting me too or not. I have to function as though they are. Pray for me.

Writing: I’m slated to write the next series of Problematic Tropes articles over at Writers’ HQ, so stay tuned. If I can get disciplined, and get help from the SO, I’ll be putting forth one per month starting in January. So stay tuned there.

Performance: I’m doing lots of Blue Dime Cabaret, and a big fight direction project, all of which start in January.

Blue Dime Cabaret has three performances in January (starting on the 11th) over at Dangerous Theatre, and one at Full Cycle on February 16th. I’ll be performing on the 18th, and no idea what’s going on on the 16th, since we haven’t curated that one yet.

Somehow, most of the images of my emcee stint at Blue Dime at our December show depict me drinking beer. Yeah, I’ll allow it.

I’m choreographing and fight directing for D&D based play She Kills Monsters over at Red Rocks Community College. This play not only has, like, one fight per page, but it’s all fantasy styled, which should be super fun. I hear the director has cast a bunch of extra monsters, too, so that should be a blast. Plus, I’m getting paid a full semester’s worth of community college faculty salary for this project, which will be a huge help.

Career Shift: I need to read Ibarra’s book Working Identity again, as it is a rough patch in this area at the moment. I keep applying for multiple random things in the realm of content creation and such. More importantly though: I am doing my best to push my body language consultation / seminars, etc. to the hilt. This is what I’m needing to do next, and I know there’s need and demand out there; I just need to find it and bring it to the right places.

Hm, that’s a lot of “need” in one short paragraph. Welp. It’s apropos of the topic, so I’m leaving them.

Oh, and I applied to Denver Comic Con (sorry: Pop Culture Con) and Page 23, too, so let’s hope I’ll be presenting there again this summer the way I have for many years now.

Also? Pray for Pirates. I’ll explain later, just do. That’d be very cool too.

So.

Sigh.

That’s a lot, innit. Well. Bring it (ring it)…🍾🥂🎉

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Musings Upon a New (ish) Semester

Well fuck. 

I use invective, lovely lurkers, with conscience and reason. Why I just used one of the words that would make my movie Rated R in America is that I just saw that the last post on this blog was posted in, like, mid-August. Seriously, what the fuck? Why do you tolerate this kind of behavior from me, huh? Are you all so busy reading Parallel Bars that you can’t be bothered? Can’t say I blame you, truth be told…

So I’m jogging in the reins of Week 4 at both Metro and Front Range, Week 2 of Regis, and the verrrry beginning of Week 1 at DU. And lemme tell ya about the cool shit that’s happening at all those fine institutions (okay, I’m going with this invective thing):

At Metro: I’m teaching that online Staging Cultures course I’ve told you about before. It’s a really good reading list, lovely lurkers. Let me know if you want it. I’m also doing a MW (that’s Monday & Wednesday, kids) Intro to Theatre, which is a delightful gen ed course I haven’t done in a while. Man are those First Year Success students bright eyed and enthusiastically bushy tailed! They’re just about to embark on their historical presentation projects AND their Raisin in the Sun unit, so wow how much good material can we stomach at 11am? A lot, apparently. Youthful energy, I’m tellin ya…

Beginning Stage Combat over at Metro is Friday mornings as is usual, but as is not usual, it’s SO FULL YOU GUYS! There’s, like, 24 or something people in it, and they’re all lovely young talented energetic insane theatre majors and I am having so much fun and getting so old…. They’re just about to start choreographing their Unarmed fights, and I could not be more excited!

At Regis: I have two lovely and talented grad students doing a one on one Writing the Novel course w me; and one other lovely and talented grad student doing my own self-constructed YA Literature course (one on one, natch. It’s nearly always one on one at Regis). It’s going to be some stellar writing, which will only make me wish I had more time to work on my own work….

At Front Range: it’s two evening courses: a Comp I and a Comp II. The former is revising their Mini-Essays as we speak (Er, as I type), and you know what that means! That’s right: the Mini-Essay Contest winner post is imminent! Let’s hope it’s not the next one, as I need to be more frequent than that here….

Comp II as is usual these days for me, functions under a theme of Creativity and Innovation. They just finished their (quite high quality) Elevator Pitches, and now have just been introduced to the Analyzing An Image essay, which is where they pick an ad or psa and analyze it in essay format. Should be some good reading.

And finally,

At DU: Children’s Literature started today! As my ancient, steam-powered laptop decided to become a doorstop recently, it was quite the challenge to get that course shell updated and ready to go for a fresh crop of Professional Writing graduate students. But I am nothing if not diligent. And, yes, I have a lot of work to do still, but hey at least it’s up and functioning, and thanks to the SO, I have a brand spanking new refurbished box I can now use to get everything even more ship-shape. Thanks to that generous soul…

Oh but that’s not all! I also continue to have professional endeavors:

Bronze Fox Burlesque is doing their next show at License no.1 under the loose theme of Clue (the movie) and murder mysteries in general. I am mulling over choreography for a duet and a new solo right now…

Metro is doing The Country Wife in a couple weeks, a ribald comedy of no manners at all, and I am consulting the period movement as well as choreographing and directing a raucous chick fight with fans. And maybe fisticuffs.

I’m still writing for Parallel Bars and Your Boulder, editing the SO’s spectacular new book, and I’m just now starting to think I could remount my Retro Reviews of Sherlock, over on Sherlock’s Home, now the 4th season is far enough away…..

So.

Megan shows my Intro students the ropes. Literally.

Hm.

I guess there’s a reason it’s taken me so long to post here. Yeah, well. NO FUCKING EXCUSES, AMIRITE?

Ahem. Carry on….

Yet Another Semester (and Quarter)

…and my musings withal.

This quarter at DU I’m teaching a grad level creative writing course called Fiction Fundamentals. We are putting the “fun” in “da mental.” Or something. So far, I’ve very much enjoyed our discussions about the readings especially, and I can’t wait for our first big workshop!

Front Range started last week, and I’m teaching two Comp I classes and one Comp II class (that last is on Saturday mornings. Ugh.), and they’ve already started their class blogs. Comp I is now embarking on their Mini-Essays (stay tuned here for winning ones), and Comp II is about to be assigned the Elevator Pitch, which is a fun way I like to begin a class all about arguments, all the time.

It’s a lot of bus/light rail commuting (4X/week), so I’ve been listening to podcasts: mainly the Columbo podcast and former student JD’s Left Hand/Right Brain podcast (on which I will appear soon–stay tuned)!

At Regis, I’m doing the one-on-one thing as usual: this session it’s a Developing Character course, a Travel Writing course, and I’m advising a Creative Capstone as well. At Metro, I’m teaching the online version of Staging Cultures again, which is always fun, as it has a wide and odd array of plays to read.

BUT WAIT, THERE’S MORE!

The show I’m in, I Miss My MTV, is opening Friday night at the DCPA!! It’s tech week, kids! Will I live? Only if I can find a way to buy more coffee for the household…….

the freshly raised graffiti backdrop of IMMMTV, made by talented tattoo artist Sal Tino.

the freshly raised graffiti backdrop of IMMMTV, made by talented tattoo artist Sal Tino.

Musings on a New Semester

…and a new quarter, too. As DU is on the quarter system, my two classes for them begin this week. one is an online course called Writing the Short Story, which is a graduate-level writing workshop on, you guessed it: short stories. This is a new one for me, so right now I’m doing the dance of the teacher-as-pirate: deciding what materials to keep from the other professor’s work, what to invent of my own, and how to adapt. It should be fun–the most fulfilling courses I get to teach is when I help students with their creative work. Of course, it’s also the most hard work…

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I found this on my facebook feed, so I have no credit for this image. Wait–do you have to give credit for a meme?

The other DU course I’ve got going on is an on-ground course called Discovering Creative Energies. It’s a course for undergrads (adult learners), about the form and function of creativity: what it is, what it does and means cognitively, etc. Plus we get to keep a journal, which I always love. And need. I don’t do enough creative work on my own without external requirements like this, and even though it’s actually a requirement for my students and not me, I impart the deadlines on myself too. As my Mom always taught me, too: it’s good practice as a teacher to do the generation/output with the students–to model the process as well as be inspiring with her product.

At Metro, I’m riding along in Week 4 of an online class called Staging Cultures, which is an upper-division course for undergrads that centers on diversity in theatre through history. This iteration of the course focuses on colonialism in particular, and how that feeds into the theatrical works of both the conquerors and the conquered. We read a play a week in that class, and most of them were ones I hadn’t read before teaching this for the first time last Fall. Celebrating the brilliant obscure, in many cases.

Finally, at Front Range I’m teaching three (count ’em: 3) sections of Composition I. Beginning essay writing for incoming community college freshmen. Times three. Twice a week. Right now we’re in Week 3, and they just handed in their mini-essays (look for prize-winners here forthwith), and are now beginning Exemplification Essays. Which are essays that center on use of examples for support. Also I know from this class one shouldn’t use “finally” in one’s conclusion as that’s hacky high school writing. That reminds me: I actually have a few high school kids in these classes. So far they’re right up to par with the rest.

Of course, at Regis I’m doing my normal handful of one-on-one writing courses and Capstones. I’ve got a Creative Non-Fiction student this session, which is refreshing as I don’t work in that genre very much.

So.

Yeah.

I’m not picking this semester to quit my addiction to caffeine.

First Post on Sherlock’s Home

Hi lovely lurkers! Say, I’ve started to contribute writings to a website called Sherlock’s Home. Here’s an excerpt from my first post there. Find the rest here.   ~Jenn

I have to give these ladies major props for doing something I would have LOVED to do myself but haven’t. So no matter what else I think about this series so far, major kudos is in order. Good on you guys for adding your bit to the huge Sherlockian canon that’s currently out there.

A Fresh Start

A forced fresh start, though I am attempting to be all Zen about it, regardless.

So:

Several of you finding your way to this brand-spankin’-new blog will remember bonzuko.com, the erstwhile repository for all things stage combat, theatre, martial arts, and also literary arts related. It was called Daily Cross-Swords then, too, but most of our readers knew it as bonzuko.com anyway. Before that, it was on Blogger. Yeah, that was a while ago, remember?

Well suffice to say that unfortunately bonzuko.com lapsed, and before I could recover it, the domain got bought out from under me. Did I back up the blog before this happened? No. No I didn’t. So all that material spanning from 2008 till last year? Gone. Poof.

My personal life is taking some major fresh starts as well, so I guess it’s as good a time as any to use this forcibly cleaned off slate and start over again. 

In other words, welcome to the new! improved! Daily Cross-Swords blog. To quote an esteemed Time Lord: Allons-y!

~Jenn

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