martial arts

Plea #2: sign up for Advanced Stage Combat

Reason Number 2 of thousands:

Six foot staffs.

Even in SAFD land, the six foot staff (what they call quarterstaff) is not often taught in the basic stage combat courses. This is certainly understandable to a certain extent, as it’s not one of those weapons that most actors will most often find themselves wielding.

This coming fall semester, however, I will be adding staff back into the Stage Combat curriculum. Fun fact: when I first designed the beginning Stage Combat course for Metro back in 2005, there were three weapons systems they all learned: Unarmed, Staff, and Sword (rapier). I later axed the staff unit, for to spend more time with the swords and the finals, and with the knowledge that the staff (though basic weapons training for me at the time in martial arts) wasn’t really a fundamental weapon most beginners would need to know about.

But it’s so very much fun!! And so this fall we will be wielding them again for the first time in about a dozen years. So if you’re an Auraria student or want to audit, get on your registration now so I can hit my minimum enrollment before cancellation. Do eet.

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Advanced Stage Combat

Remember a few months back, when I posted a series of pleas, extolling the virtues of my Stage Movement class, so that students at Auraria campus would sign up for it? I ended up with a good number of students in that one, and now I’m beginning a series of pleas about a new, vastly exciting course.

Well it’s not new, exactly, but the last time it was offered was …. gosh 8 years ago? Is that true? Anyway, suffice to say I wasn’t expecting the good folks in charge at Metro’s Theatre department to ever offer it again. But guess what? This Fall, it’s there, with a real course number and everything. It’s called ADVANCED STAGE COMBAT, and I am pleased as punch to be teaching this again. (At least, I’ll be teaching it if enough people sign up.)

I’m planning on putting up a post dedicated to each of the things about this course I’m most looking forward to, so let’s start with what’s the very first and very last fight scene the Advanced Stage Combat students do: the big group fight scene.

Big group fights are challenging, as there’s more that goes into a 3 person or more fight than just orchestrating pairs. For the first assignment in this course, I have the students do a full-class-member fight scene. One year, it was an 8-person fight. Another year? It was 12. One group set the opening scene of Romeo and Juliet on a pirate ship’s port, including cannons, ladders, “water” and grog along with the biting of the thumbs.

If you’re a student at any of the schools on auraria campus, do sign up for Advanced Stage Combat. I need 12 people to join me, or it’ll get cancelled. Plus, it’s a very unusual thing for an undergraduate program to have this robust a Stage Combat training offered to its theatre students. You’ll see it (sometimes) in MFA programs, but this is something special to have on your undergraduate cv. Take advantage of it.

Stage combat as a ryu

Back in my first martial arts training experience, I had the good fortune to train at a dojo that was intensely focused, complete, and rigorously disciplined in the instruction of its myriad arts. All the ryu-ha put together made for some high quality, authentic ninja training that has formed the base and foundation for many other practices in the many (many!) years of my life since then.

One of the documents I’ve come across as I cull my belongings is a page of musing re: making stage combat a facet of the trainings offered at the school. Before I recycle this (handwritten) document, allow me to share these thoughts of mine from 2004 with you, lovely lurkers.

———-

When most people think about the martial arts these days, one of two things come to mind: sport tournaments, and the movies. Therefore, most non-martial-arts people have a completely distorted view of what real martial arts (read: actually used in combat or self-defense) are really about.

As practitioners of ninpo, I feel it’s important to know what the fake stuff constitutes, so that we can freely communicate the differences to those who inquire. Also, as practitioners of theatre, I feel stage combat is one of the most important and useful trainings one can get in the theatrical arts.

Fake fighting and real fighting go hand in hand in this culture. Mark Grove isn’t so crazy in his inclusion of stunt work and stage combat in his dojo. I’d like to embrace this cultural idea of martial arts as theatrical, and include a branch of training in this art. In reverse, too, hopefully those only trained in the fake stuff can then also come to us, to learn what a real punch feels like to throw, and especially to receive, and etc.

I get poked in the sacrum with my brother’s boshiken. My first black belt test, ninpo taijutsu, at the Genki Kai dojo. Also pictured: sensei Jason Boughn.

Sketch of the Day

I’m sure I must’ve posted this sketch before, but it’s been long enough that it warrants a re-post. (Riposte?) This is the fourth in a series of sketches based on the old ninja legend of the Four Demons. This is Ongyoki, the Concealed Demon. All four original sketches were displayed at the BEET collective’s monthly gallery, and they now live there. 

ongyoki

Fight Clip Club

Fight Clip Club is a thing I used to do with my Stage Combat students–it was a chance for them to look closer at the fight scenes they enjoy in their favorite entertainment. There were certain prescribed analyses I had them do to show me they were able to see what was really going on in the scene based on the things they’d learned in class.

I’m going to start doing my own version of the Fight Clip Club for you, lovely lurkers. This first one was shared by one of my random Facebook friends in the field, and I commented that it was “way too long, and also glorious.”
I’m sure you’ll agree that this fight would fall under the “expressionistic” and “swashbuckling” categories in my fight-styles system, and what makes this that much more fun to watch for me is the vast difference in style. You’ve got the Old School Movie Kung Fu vs. Classic Western Boxing, and it works very well.

UPDATE:
I’m noticing that the video may show as private? Here’s a link just in case. https://www.facebook.com/190816697621587/videos/949993588370557/

The One-Shot Hallway Fight

Many folks, both fans and professionals, have been talking about the two most famous hallway fight scenes in recent cinema; mainly because they are shot ostensibly in one shot. The side-scrolling hallway fight in Oldboy and the clever hallway scene in Daredevil have been on fight folks’ minds quite a bit lately (especially since Daredevil came out; many people have returned to Oldboy to re-view the skill).
As an example, here’s a video of a comparison of the two hallway fight scenes I came across online today. Please to enjoy.