The second installment of the PTMTs is live on Writers’ HQ! Do tell me what you think, lovely lurkers.
Sheesh, lovely lurkers. I need to take a moment and list my stuff coming up in the new year. I just wrote about New Year’s resolutions under my own name on my other, memoir-y blog, and it made me need to come here and share with you all the amazing shit that’s on deck, in the hole, and whatever other baseball or double-entendres you like.
School: Regis’ next 8-week session starts mid-month. Those are all one-on-one grad students in all kinds of subjects, you’ll recall. So far, I’ve got a student who’ll be learning about Editing Non-Fiction.
Metro starts soon after. I’ve got an online section of Theatre History and Crit II, which should be great once I revamp and update it. I also have a Stage Movement class assigned to me, but as there’s only 8 students enrolled so far, that might not actually go. Good news is, the department chair is going to go into battle w the dean on my (well, its) behalf, and it is a required course, so I am allowing myself a modicum of hope.
It would not be a good thing for that one to be canceled, for more than one reason, not the least of which is: this is my specialty and I’d like to have something to show non-academics in that area. Also that I don’t know what’s up with DU; if they’re planning on ghosting me too or not. I have to function as though they are. Pray for me.
Writing: I’m slated to write the next series of Problematic Tropes articles over at Writers’ HQ, so stay tuned. If I can get disciplined, and get help from the SO, I’ll be putting forth one per month starting in January. So stay tuned there.
Performance: I’m doing lots of Blue Dime Cabaret, and a big fight direction project, all of which start in January.
Blue Dime Cabaret has three performances in January (starting on the 11th) over at Dangerous Theatre, and one at Full Cycle on February 16th. I’ll be performing on the 18th, and no idea what’s going on on the 16th, since we haven’t curated that one yet.
I’m choreographing and fight directing for D&D based play She Kills Monsters over at Red Rocks Community College. This play not only has, like, one fight per page, but it’s all fantasy styled, which should be super fun. I hear the director has cast a bunch of extra monsters, too, so that should be a blast. Plus, I’m getting paid a full semester’s worth of community college faculty salary for this project, which will be a huge help.
Career Shift: I need to read Ibarra’s book Working Identity again, as it is a rough patch in this area at the moment. I keep applying for multiple random things in the realm of content creation and such. More importantly though: I am doing my best to push my body language consultation / seminars, etc. to the hilt. This is what I’m needing to do next, and I know there’s need and demand out there; I just need to find it and bring it to the right places.
Hm, that’s a lot of “need” in one short paragraph. Welp. It’s apropos of the topic, so I’m leaving them.
Oh, and I applied to Denver Comic Con (sorry: Pop Culture Con) and Page 23, too, so let’s hope I’ll be presenting there again this summer the way I have for many years now.
Also? Pray for Pirates. I’ll explain later, just do. That’d be very cool too.
That’s a lot, innit. Well. Bring it (ring it)…🍾🥂🎉
If you’ve followed my Problematic Badass Female Tropes series (over at Writers’ HQ, kids), you’ll recall that the central argument to all those discussions was that those tropes restrict and weaken strong (read: badass) female characters. The bait and switch problems of each PBFT was the dangling of the “badass” in front of us to distract us, while assuming that the character’s strength is enough to make us not notice nor care about the inherent misogynistic structures she has been constructed with.
This new series will look at seven Problematic Toxic Masculinity tropes, and its central argument differs somewhat from that of the PBFTs, though of course the two sets of problematic tropes are intricately and innately connected. This series centers around the inherent assumption that males are strong and dominant. Where the PBFTs focus on the bait and switch of the strong female that’s in fact not strong but subservient to males, the PTMTs focus on the false labels of strength in male characters, as well as the narrow, restrictive, and damaging definition of what it means to be a strong man.
Both sets of tropes do similar things; both are examples of problems of gender and power. We will learn as we go through the male counterparts to the PBFTs that both sets of Problematic Tropes affect how media and entertainment express characters of all genders, and that all these problematic trope characters have a negative impact on the real people that consume and admire them.
But first, what does this trendy phrase Toxic Masculinity actually mean? Lately, in the continued wake of the #metoo movement, the phrase Toxic Masculinity is being bandied about by feminists of all stripes, mainly as a way to shut down conversations. I want to start conversations by writing about these tropes, not shut them down, so real quick let me give you, dear intelligent readers, my working definition of what Toxic Masculinity means (at least as far as these discussions go).
In a nutshell: Toxic Masculinity is the harmful view (ingrained in our patriarchal and heteronormative society) that if a man does not dominate, he is not a man. Domination of all things (from one’s own emotions to other people) is the key poison that puts the Toxic in Toxic Masculinity. Also remember: just like the Problematic Badass Female Tropes were, the Problematic Toxic Masculinity Tropes are not examples of what real men in the real world are actually like, but rather are problematic expressions of masculinity in the forms of characters in popular culture, art, and entertainment, and as such are influential to those who consume and attempt to emulate them. I want to point out the problems in these characters so that we can be aware of what the tropes are doing to us even as we continue to enjoy our media.
I will be writing full blog posts discussing these seven tropes, just like I did with the PBFTs, but first (as indeed I did with the PBFTs), here’s the bare basics in a rundown of what you can expect from these new magnificent seven:
1. Go Big or Go Home
As a man, the only choice you have for beauty is to be big and muscular. Thin, short, “feminine” or small men aren’t men, and certainly aren’t desirable. Where women are told by culture to lose more and more weight, diminishing themselves to invisibility, men are told they are nothing unless they take up more and more space, and are physically strong to boot.
2. Grow a Pair (or, Stoicism Ain’t Just For Hellenistics Anymore)
Pop Culture Detective’s excellent video article, “The Case Against the Jedi Order” describes this harmful trope well. Basically, boys are taught at very young ages to man up, grow a pair, boys don’t cry, etc. which means by the time they become men, they are not able to express emotions healthily, or even at all. The Jedi are a prime example of this, as is every Shane that breezes into town, kicks the bad guys’ collective ass, and moves on. The coolest male characters are ones that show no emotion whatsoever, and certainly don’t form deep emotional connections with other humans. Which leads me to:
3. Bond, James Bond
The misogyny and classism of the gentleman’s gentleman will be explored here, with our good friend 007 at the helm of our examples.
4. The Tale Of The Nerd and the Neckbeard
Nerds are sub-males. That’s the gist of this problematic trope. Brain bigger than your biceps? Well you certainly won’t get the girl. And the extreme of this trope is the seed from which incels sprout.
5. Sassy Gay Friend (with his polar opposite companion, the Terrifying Leather Daddy)
This pair of gay male stereotypes are two sides of the same problematic coin. Both sides of this trope speak to the deep seated fear ingrained in men of being seen as feminine, and as we have said in our definition of Toxic Masculinity, a man who does not dominate is not a real man.
6. Violence is Normal
Not only is violence a normal behavior trained in boys since early childhood, it’s encouraged and even necessary in most social situations depicted by culture. Violent domination is the most commonly seen form of domination in our entertainment and arts, in the form of Problematic Masculine characters taking their strength and power by force.
7. Mr. Mom
LOL, men can’t be good parents! The awful trope of the bumbling dad, nothing more than another child for moms to manage, is the trope on this list that angers me personally the most. Look for some heartfelt angry rants in this article, readers.
Well that’s the basic idea! What do you think? Look for this series to start up on Writers’ HQ after the PBFTs are all done. And leave ideas you have in the comments; I may want to include some of them as I get more in depth with these tropes during the writing process.
Number five is live, lovely lurkers! The fifth of seven of my articles detailing Problematic Badass Female Tropes is up over at Writers’ HQ! Please to enjoy.
The third in my Problematic Badass Female Tropes series is live, lovely lurkers! I call it Down The Rabbit Hole. Have a look-see over at Writers’ HQ.
The second of my seven Problematic Badass Female Character Tropes is live over on Writers’ HQ. The third is coming soon…
You may remember, lovely lurkers, my dredging up of an old lecturette called “Drunk and in Charge of a Bicycle,” named after Ray Bradbury’s chapter from Zen in the Art of Writing?
Welp, I rewrote and refurbished it into an article for Writers’ HQ. Check it out here.