Month: October 2020

Stage Combat in the Pandemic #1: Distance

When the plague first hit, lovely lurkers, I was just about to embark on the last unit of Metro’s Stage Movement class, and had to be quick about yoinking the whole unit to an online-only format. Since then, I’ve participated in three theatre productions on Zoom, one online-only stage combat class, and am just concluding teaching an asynchronous, all-online course at DU called Visual and Physical Communication, which is focused on body language.

Clearly, since March, we in The Biz have gotten pretty good at doing things you wouldn’t imagine you could do without being in-person; we figured out how to do these things remotely. Work has changed forever, methinks, and theatre certainly has.

I have been assigned my customary stage combat course at Metro this Spring (the semester begins mid-January), and I have to admit that I’m having a pretty good time shifting my curriculum in order to make the class safer, not the way it always is as far as theatrical combat, but to keep me and the students who take it plague-free.

Work From Home, armed with steel… (sketch by Paul Bradley)

The class will be meeting Fridays only, and there are several pandemic rules that all of campus is adhering to, including testing, flu shots, mandatory masks, sanitation mandates, and keeping the physical population of classrooms down. I am adding more of my own rules to my stage combat course, so as to keep it as safe as possible. Here’s the rundown, in a nutshell:

-our unarmed unit will be remote: students will learn basic punches and slaps, but no techniques that include touch (like chokes or grapples). We will learn these techniques for film, as opposed to emphasizing a live theatre approach. This unit will also be shorter, because…

-I am adding 6-foot staffs back into the curriculum! Back when I first taught this course (in 2005), I was just completing my textbook, and as such I followed the book’s lineup, including staffs. Later I would take the staffs out of the beginner course, because a) actors will rarely find themselves needing to know staff technique—sword are way more common; b) I was running out of time with three weapons systems crammed into 16 weeks. But now, staffs are back, and unarmed is a smaller unit.

-we will be mainly working with swords through most of the semester. After all, you add a 4-ft sword to the end of your extended arm, and you’ve magically got social distancing.

-Since the class will mainly be about swords this time, we may just break out Metro’s beautiful broadswords.

-also: lightsabers. Need I say more?

I’ll be posting in more detail about all these things in some separate posts here, in an attempt to get enrollments enough to not cancel the course. Stay tuned, and if you’re a Metro or UCD or CCD student, sign up!