What do you call a pile of clowns? A giggle? A clowder?
The semester is creeping up upon us quickly, lovely lurkers, and I have attempted to save my break and my sanity by not checking on my Metro class rosters every 5 minutes, to ascertain whether or not I’ll have a job the next couple months. Spoiler alert: I need 12 students minimum in each class or they’ll be cancelled. I’ll be checking up on everything on Monday, so I’ll let you know then if these pleas have helped or not.
As it is, allow me to put forth a third compelling reason why Stage Movement is such a fun and important piece of education that you must experience: Clowning.
That’s right, clowning: the once sacred art of creating worlds using physicality, of exaggerating your own personality into larger than life antics, exploring the long long journey from problem to (ridiculous) solution, and of course hats. (Clown hats: it’s what we do in lieu of elaborate costumes & makeup.)
In Metro’s Stage Movement class, we learn the basics of mime & gag creation, then we do a rollicking assignment called Clownlympics, in which our new-forged clowns present sporting events. The other fun thing about this event is that I break out my kid’s-dance-class instruments, and the audience clowns then provide musical accompaniment to each event. It. Is. A. Blast.
So sign up for class! I promise it’ll be incredibly fun, and you’ll learn a lot about movement techniques, styles, and how your body works in space (and on stage).